Fashion
Dress Up! Here’s Why | LGFG Fashion House
Nobody wants to work with a loser.
How important do you think dressing up is?
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Fashion
Ode to Barcelona by Stephane Rolland, Barcelona Bridal Fashion Week
Explore the structure of elegance of bridal couture, watching the latest bridal show of Stephane Rolland, unveiled at Barcelona Bridal Fashion Week! Marking a historic Spanish debut, French couturier Stephane Rolland transformed Barcelona Bridal Night into a profound celebration of craftsmanship and intergenerational connection. Under the title “Love for Peace,” the gala served as a visual and poetic ceremony that framed bridal fashion as a universal symbol of hope. The evening was defined by a unique humanistic project in which Rolland mentored students from Barcelona’s leading design schools. The show opened with the “Sculpted by Nature” project, featuring 23 student-designed pieces that, under the master’s guidance, explored organic volumes and precise structures, emphasizing the generous transmission of couture expertise. The main event showcased an expansive collection of 80 pieces, including the debut of Rolland’s new ready-to-wear bridal line, “Noce de Sang,” alongside iconic haute couture gowns from his illustrious career. Featuring muses like Nieves Alvarez and Ariadna Gutierrez, the runway highlighted Rolland’s signature creative identity: fashion as architecture applied to the body. Dominated by bridal white with striking accents of red and black for gala looks, the designs featured the structured volumes and sculptural silhouettes that have made the Maison a staple of the red carpet.
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Fashion
Shadows of Desire by Christophe Guillarme for F/W 26-27, Paris Fashion Week
Step into the light and experience the allure of the new season’s most provocative silhouettes in the fall/winter 2026-2027 collection of Christophe Guillarme unveiled at Paris Fashion Week! This season, Christophe Guillarme invites us into a world of cinematic sensuality. Drawing inspiration from the iconic film 9 ½ Weeks, the newest collection captures the tension and beauty of the legendary striptease behind the shutters. The collection is a masterclass in texture and optical illusion. Embossed ribbed fabrics and cascading multi-ruffles mimic the jerky, rhythmic play of light filtering through horizontal blinds. The palette is a study in high-contrast intimacy: deep Onyx black and rich Burgundy suggest the depth of midnight shadows, while Cosmetic Nude reflects the softness of diaphanous skin. The collection is warmed by strokes of Amber, evoking the fleeting glow of a late afternoon sun. Sophistication lies in the details – matte and shiny tube embroideries create a mesmerizing striation effect, making each silhouette appear as if it were woven from the very essence of light and darkness.
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Fashion
Dandyist Bloom by Genny for F/W 26-27, Milan Fashion Week
Experience the evolution of elegance in the fall/winter 2026-2027 collection of Genny showcased at Milan Fashion Week! Genny explores a fascinating tension between historical rigor and organic explosion. Inspired by the “Incroyables et Merveilleuses” of the French Directory – the precursors to dandyism – creative director Sara Cavazza Facchini reimagines the masculine wardrobe with uncompromising architectural precision. Sharp blazers, structured waistcoats, and high-collared shirts are reinterpreted for the female body, creating a vertical, measured, and impeccably composed silhouette. Yet, this discipline is far from sterile. From the heart of these sartorial constructions, the collection transitions into “botanical architecture.” Sculptural, three-dimensional petals transform bodices into monumental corolla skirts, allowing the garments to bloom like living sculptures. Tailored bows replace traditional fastenings on sensual white shirts, while ruffles trace the contours of sleek jumpsuits. Feathers add a theatrical lightness to structured tops, acting as “accents of air” against the rigidity of the tailoring. Grounded in black and ivory, the palette erupts with vibrant fuchsia, dusty lilac, and pale yellow, while the choice of loafers and slippers subtracts formality, asserting a woman who commands the room with the composure of a gentleman and the grace of a blossoming flower.
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Fashion
Hair & Makeup – Thakoon Backstage – New York Fashion Week Spring 2012 NYFW | FashionTV – FTV
http://www.FTV.com/videos NEW YORK – The things these girls do for fashion! Not sure if the models of Thakoon’s Spring/Summer 2012 collection runway for New York Fashion Week are too happy about getting their hair painted blue, orange, purple or pink, but it’s what the designer wants for his animated Indian cowboy inspired show. Odile Gilbert, runway hairstylist explains the look. “What we’re doing is bringing a lot of colors into the hair, for the collection.” When the girls are done, Odile and her team will make sure to wash all the color out and they will use Kerastase to treat the hair and get all the color out. Models Andie Arthur, Lydia Carron, and Marique Schimmel talk about their looks.
Appearances: Odile Gilbert (Hairstylist), Debora Muller, Andie Arthur, Lydia Carron, Marique Schimmel
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Fashion
Love Woven In Structure by Georges Hobeika for S/S 26, Paris Haute Couture
Explore the artistry of emotion in the spring/summer 2026 haute couture collection of Georges Hobeika, showcased at Paris Fashion Week! Georges and Jad Hobeika have arrived in Paris to prove that love is best served with a side of structural genius and a heavy dose of organza. The father-son duo invited us into a world where affection isn’t merely felt; it is engineered. We saw garments that didn’t just clothe the body but seemed to protect and pulse alongside it. Imagine corsetry that rises like a shield of devotion and skirts that ripple with the rhythmic inevitability of a heartbeat. This is love rendered in satin and tulle – a collection that treats the concept of a “vessel of memory” with the architectural reverence it deserves. The Hobeika silhouette this season is a breathtaking dance between the rigid and the ethereal. Gowns curve with the precision of a Nautilus shell before spiraling into unfurling petals, striking that impossible balance between containment and release. There is a tension here that feels profoundly modern; the human form acts as both instrument and canvas, where every stride transforms a dress into a living, breathing statement of intent. The materials themselves tell a story of contrast: the unapologetic weight of stiff satins meets the whisper-thin vulnerability of diaphanous organza. This wasn’t just clothing; it was a sensory exploration of harmony, proving that in the hands of a master, couture doesn’t just dictate a trend—it articulates the soul.
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