Delve into the ultimate contrast of gold and burlap and discover what lies beneath the shine watching the mesmerizing performance of Viktor & Rolf’s fall/winter 2026 haute couture collection on FashionTV!

On July 8, 2026, avant-garde design icons Viktor Horsting and Rolf Snoeren shook Paris Haute Couture Week with their groundbreaking collection, “Gilded Age 2.0”. The presentation stepped away from traditional runway formats, transforming the stage into a surreal, bedroom-like dream environment.

Within this intimate setting, models Nathalie Haerlemans and Elpida Voryas Georgiadi moved in hypnotic, mirrored synchrony, repeatedly dressing and undressing in a continuous loop to bring the garments to life. The entire collection of 24 looks was engineered as 12 pairs of exact structural doubles, designed to explore the friction between maximum decadence and absolute restraint.

While the silhouettes in each pair remained entirely identical, their meanings were radically transformed by a sharp contrast in textiles: opulent gold, crystalline embroidery, and metallic organza on one side, countered by raw, utilitarian jute and burlap on the other.

From plunging floor-length ruffled ballgowns to structured short coats featuring sleeves sculpted into massive bows, the material juxtaposition forced the audience to look past the surface.

In a brilliant conceptual finale, the thematic tension was written directly onto the garments themselves: a flared coat sculpted from raw jute bore the word “restraint” across its sleeves in three-dimensional lettering, while its golden twin proudly displayed the word “decadence” in dense crystal embroidery.

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Admire a breathtaking revival of classical form and modern empowerment – watch the Christian Dior Fall/Winter 2026/27 Haute Couture showcase now on FashionTV!

Under the roof of a leafy hothouse constructed in the historic gardens of the Musee Rodin, Jonathan Anderson delivered his highly anticipated sophomore haute couture collection for Christian Dior on July 6, 2026. Stepping firmly into the spotlight following Maria Grazia Chiuri’s historic tenure, Anderson has established a radical new creative direction for the house – one that directly treats the discipline of haute couture as an artistic laboratory.

For the fall/winter 2026/27 season, Anderson staged an ambitious, visceral dialogue between fine art and fashion, taking the pioneering, fluid sculptures of American feminist artist Lynda Benglis as his ultimate creative catalyst. The runway, finished in a sleek, reflective black lacquer, was surrounded by dense green foliage, ferns, and exotic plantings meant to evoke Benglis’s personal gardens in New Mexico and India.

This natural, slightly untamed setting served as the perfect framework for a collection centered around the concept of “material in motion.” The ultimate litmus test for any designer entering the gates of 30 Avenue Montaigne is the reinvention of the iconic 1947 Bar Suit. Anderson’s brilliant solution was essentially to melt it down – stripping away the rigid internal padding and stiff corseting of old, and replacing them with sensuously draped, bias-cut shapes, fluid silk pajama-style sets, and featherweight knitted jackets that gave the female form absolute freedom of movement.

The 66 looks beautifully mirrored Benglis’s famous practice of converting two-dimensional materials into voluptuous, three-dimensional forms. Anderson toyed masterfully with the illusion of rigor and the poetry of fluid drapery. In a direct nod to the artist’s legendary use of chicken wire to mold heavy, poured materials, the Dior ateliers produced voluminous, jaw-dropping skirts constructed from silver metallic netting and crushed-foil-pleated silks that danced under the studio lights like liquid metal.

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Explore the intersection of heritage craft and fluid modernism watching Sergio Davila’s historic Milan debut presentation now on FashionTV!

Peruvian designer Sergio Davila officially debuted on the prestigious Milan Fashion Week Men’s calendar with his Spring/Summer 2027 presentation.

Brought to life alongside presenting sponsor I Am The Ocean, the collection serves as a sweeping retrospective of a design language cultivated over twenty-five years across San Francisco, New York, Rome, and Peru.

Stepping into the presentation space, guests were enveloped in an atmospheric dialogue where the raw power of nature met the ultimate refinement of contemporary urban tailoring. The collection masterfully captures the essence of movement within static form, a concept heavily inspired by Davila’s recent time in Rome studying the works of Bernini.

The garments breathe alongside the body, utilizing exquisite natural fibers deeply rooted in Peruvian culture: precious Vicuña, weightless Baby Alpaca, crisp Pima cotton, and textured Tangüis cotton. The true centerpieces of the collection are the intricate, openwork crochet knitwear pieces, oversized cardigans, and highly tactile cable-knit jackets that introduce a beautifully relaxed, gender-fluid sensibility to menswear.

A fresh, sun-bleached palette of ivory, sand beige, and terracotta is seamlessly contrasted by structural pops of cobalt blue tailoring and architectural jackets. Enhanced by the vibrant, warm illustrations of artist Alvaro Felliu, the presentation perfectly bridges resort ease with high-concept urban sophistication.

Backed by the conscious ethos of I Am The Ocean, Davila’s S/S 27 lineup sets a new standard for sustainable luxury and ancestral preservation on the global stage.

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Nadine Ponce: Model Talk | Fall/Winter 2012-13 Fashion Week
http://www.FashionTV.com/videos WORLD — FashionTV get up close and personal with Brazilian model Nadine Ponce. We speak with her backstage at Carven about her roots, travels, health secrets, and career. Watch the blue-eyed cover girl walk the runway for Moschino, Blumarine, and Fendi.

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Admire a breathtaking revival of classical form and modern empowerment – watch the Christian Dior Fall/Winter 2026/27 Haute Couture showcase now on FashionTV!

Under the roof of a leafy hothouse constructed in the historic gardens of the Musee Rodin, Jonathan Anderson delivered his highly anticipated sophomore haute couture collection for Christian Dior on July 6, 2026. Stepping firmly into the spotlight following Maria Grazia Chiuri’s historic tenure, Anderson has established a radical new creative direction for the house – one that directly treats the discipline of haute couture as an artistic laboratory.

For the fall/winter 2026/27 season, Anderson staged an ambitious, visceral dialogue between fine art and fashion, taking the pioneering, fluid sculptures of American feminist artist Lynda Benglis as his ultimate creative catalyst. The runway, finished in a sleek, reflective black lacquer, was surrounded by dense green foliage, ferns, and exotic plantings meant to evoke Benglis’s personal gardens in New Mexico and India.

This natural, slightly untamed setting served as the perfect framework for a collection centered around the concept of “material in motion.” The ultimate litmus test for any designer entering the gates of 30 Avenue Montaigne is the reinvention of the iconic 1947 Bar Suit. Anderson’s brilliant solution was essentially to melt it down – stripping away the rigid internal padding and stiff corseting of old, and replacing them with sensuously draped, bias-cut shapes, fluid silk pajama-style sets, and featherweight knitted jackets that gave the female form absolute freedom of movement.

The 66 looks beautifully mirrored Benglis’s famous practice of converting two-dimensional materials into voluptuous, three-dimensional forms. Anderson toyed masterfully with the illusion of rigor and the poetry of fluid drapery. In a direct nod to the artist’s legendary use of chicken wire to mold heavy, poured materials, the Dior ateliers produced voluminous, jaw-dropping skirts constructed from silver metallic netting and crushed-foil-pleated silks that danced under the studio lights like liquid metal.

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