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http://www.FashionTV.com/videos SAO PAULO – FashionTV is backstage at the Rodrigo Rosner show during Sao Paulo Fashion Week Spring/Summer 2013. Thick eyebrows and their hair in curlers, models like Daiane Conterato make their way through the doors to get ready for the show. Lips are a pale pink and black pencil is lined on the top lids. This is Rosner’s second collection at Sao Paulo. In her spare time, model Michelli Provensi is writing a book about a model’s backstage experience.

Appearances: Daiane Conterato, Alicia Kuczman, Michelli Provensi

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FashionTV “Fashion TV” FTV “Rodrigo Rosner” Spring Summer 2013 Backstage “Sao Paulo Fashion Week” Models Rodrigo Rosner “Daiane Conterato” “Alicia Kuczman” “Michelli Provensi” “Sao Paulo” “Fashion Week” SPFW Sao Paulo “Hair & Makeup” Hair Makeup “Make Up” “Fashion Videos” “Fashion Show” “FTV Models” Fashion TV FashionTV.com FTV.com

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http://www.FashionTV.com/videos MILAN – FashionTV is backstage at the Iceberg show during Milan Men’s Fashion Week Fall/Winter 2012-2013. Hair is beautifully textured, wavy, and combed over to add a lift. Besides modeling, some of the guys like playing soccer and making music. “Iceberg always tried to explore the sportswear feeling,” says designer Paolo Gerani. The Fall 2012 collection is a bit inspired by Modern Times by Charlie Chaplin. The music provided for the show is provided by a band from Brooklyn, New York called Live Footage.

Appearances: Beppe Di Lia (Hairstylist), Ole, Chase, Jordan, Paolo Gerani (Designer), Mike Thies (Live Footage), Toou Lyo (Live Footage)

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FashionTV’s YouTube network features coverage of fashion shows, fashion week, runway highlights, front row celebs, backstage, hair and makeup, models, designers, photo shoots, red carpets at the biggest events in Hollywood, and much more. The total source for worldwide fashion coverage, FashionTV has new uploads EVERY DAY – See it on YouTube first.

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FashionTV “Fashion TV” FTV Backstage Iceberg Men Fall/Winter 2012-13 Milan Men’s Fashion Week “Fashion Videos” “Fashion Show” “FTV Models” Fashion TV FashionTV.com FTV.com

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Discover the intersection of art and adornment in the fall/winter 2026-2027 collection of Completedworks, which once again proved why it is a master of the “beautifully broken” aesthetic. Creative Director Anna Jewsbury transformed the runway into a narrative of domestic surrealism, blending high-jewelry precision with ready-to-wear silhouettes that feel caught in a moment of elegant collapse. The collection explores the tension between the permanence of stones and the fleeting nature of everyday habits, resulting in a series of looks that feel like wearable sculptures. The F/W 26-27 presentation took a theatrical turn, anchored by a celebrity-fronted performance starring Jemima Kirke. This immersive staging centered on themes of identity, ritual, and the blurred lines between performance and daily life. The collection showcased sculptural, sustainable jewelry that continues the brand’s commitment to ethical craftsmanship. Key pieces included striking earrings and agate-stone necklaces that explore the power of surfaces, featuring “misplaced” pearls and molten recycled silver that appeared to grow naturally from the collars and cuffs of the garments. The clothing itself mirrored this artistic inquiry, with fabrics mimicking the organic folds of crumpled paper or unmade linens, punctuated by oversized ceramic-inspired hardware. The color palette remained grounded in earthy neutrals, allowing the intricate textures and avant-garde proportions to speak to a woman who finds power in imperfection and the rituals of the self.

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Witness the reimagining of Indian luxury where the soul of the textile speaks louder than the weight of its ornament. For its historic …

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Explore the intricate threads of a disappearing art and see how Gassanoff turns ancient craft into a modern collectible, watching the fall/winter 2026-2027 show unveiled at Milan Fashion Week! His newest 2026 show for Institution was not merely a display of garments, but an anthropological excavation of his Azerbaijani roots, specifically shedding light on the early 20th-century female liberation movement in the Caucasus. The show, staged under the monumental weight of a vast rotunda, began with an air of “malleable rigor.” The first silhouettes featured sculptural, felted wool concoctions: pannier hips, architectural shoulders, and integrated veils that spoke to a period of cultural concealment. However, as the show progressed, the “strata” of history began to peel away. Heavy, meaty fabrics frayed into bulbous fringed capes, and the rigid geometry of the opening looks softened into fluid, crinkled chiffon frocks. Beyond the narrative, Gassanoff demonstrated a fierce commitment to preservation. Three collectible pieces integrated traditional Karachop, Fachralo, and Bordjalou rugs, hand-knotted by Azerbaijani weavers on vertical looms. By bringing these disappearing crafts to a global stage, Gassanoff confronts the industry’s profit-chasing status quo with a raw, honest plea for cultural survival. It is a collection that proves clothing can, and should, carry the weight of an entire identity.

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