Fashion
Hair & Makeup – The Best Hairstyles of Fashion Week Spring/Summer 2012 | FashionTV
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http://www.FashionTV.com/videos WORLD – FashionTV features hairstyle trends from the runways of Spring/Summer 2012. Trends like ponytails were common at shows like Blumarine, Versus, Emilio Pucci. A braid turns into a ponytail at Rue Du Mail and the look at Viktor & Rolf is a graphic and elongated pony. Buns and updos were seen at shows like Missoni, Chanel, Roberto Cavalli, Gucci, Louis Vuitton, Fendi, Marni, and Jean Paul Gaultier. Natural hair was seen at Chloe, Versace, and Sonia Rykiel while glamorous wet look spoke volumes at Costume National, Lanvin, Roland Mouret, Alberta Ferretti, Elie Saab, Prada, and Giambattisa Valli.
“The hair is like, really simple,”says model Melodie Monrose of the hair at Blumarine, which is also a little bit retro on top. “It’s a ponytail with a little height in the back. She’s modern, she’s light, she’s fresh.” adds Hairstylist Sam McKnight. At Versus, the hair is wind blown, but classy, according to model Maria Bradley. “It’s a very low ponytail and at the last minute we pull it up,” adds Versus Hairstylist Paul Hanlon. Versus models look like they’ve been outside running. Hairstylist Luigi Murenu says the hair at Emilio Pucci has great texture with a chic, low ponytail. At Rue Du Mail, Eugene Soleiman says he braided the hair so it was flat to the head and then worked it into a straight ponytail, which looks like a thin horse’s tail. The ponytail at Viktor & Rolf created by Hairstylist Luigi Murenu is very low and tied at the last moment, creating a graphic look with ends cut really sharp.
Missoni and Chanel had messy tucked in buns created out of ponytails and Roberto Cavalli’s look created by Hairstylist Guido Palau is an easy updo out of damp hair that is twisted with one pin and roughed up a little bit. Tiaras give the hair some glamour. Gucci and Louis Vuitton also have updos. Magdalena Frackowiak says the hair at Fendi is very futuristic with a 60s vibe. “She has high hair, and we’re going to destroy it a bit when she goes on the runway,” adds Fendi’s Hairstylist Sam McKnight. The Marni hair by Hairstylist Paul Hanlon is like a French twist but done much lower and very spontaneously. The idea at Jean Paul Gaultier was to make the girls look Imperia Royal, from the 40s with large curls in front and a tight bun in the back. “When you look at it, it’s almost science fiction,” says Jean Paul Gaultier.
Loose waves cascaded down around models’ faces at shows like Sonia Rykiel and Versace. The glamorous wet look was enhance at Costume National by Paul Hanlon’s idea to lightly crimp the hair. Wet waves were seen at Roland Mouret and Lanvin, where Guido Palau combed the hair with his fingers. Palau also created the shiny, flat hair at Alberta Ferretti. The look at Elie Saab is fresh and young with a side part, scraping it back and adding soft waves, according to hairstylist Orlando Pita. Prada also has a side part and Giambattista Valli hair is scraped back as if the models emerged out of water.
Appearances: Melodie Monrose, Joan Smalls, Vlada Roslyakova, Bette Franke, Sam McKnight, Maria Bradley, Paul Hanlon, Kate King, Josephine Skriver, Daphne Groeneveld, Izabel Goulart, Eugene Soleiman, Luigi Murenu, Siri Tollerod, Karlie Kloss, Hanne Gaby Odiele, Zuzanna Bijoch, Fei Fei Sun, Nimue Smit, Magdalena Frackowiak, Kati Nescher, Jean Paul Gaultier, Orlando Pita, Candice Swanepoel
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Fashion
Ritual of Light and Lace by Georges Hobeika for S/S 26, Paris Haute Couture
Witness the evolution of excellence in the spring/summer 2026 haute couture sjow of Georges Hobeika and meet his guests including Deborah Hung, Esha Gupta, Nadine Kaddoura, Marianne Georges, and more! Set beneath the soaring Gothic arches of the American Cathedral in Paris, the Georges Hobeika S/S 2026 couture collection, titled L’Amour, served as a profound meditation on human connection and technical grace. Celebrating over thirty years of artistry, co-creative directors Georges and Jad Hobeika harmonized the house’s Lebanese heritage with Parisian discipline, presenting a collection that felt less like a runway show and more like a spiritual homecoming. The atmosphere was charged with the philosophical essence of love – not merely as a sentiment, but as a transformative force that demands vulnerability and presence. The silhouettes were elongated and precise, favoring sculptural column gowns and meticulously draped bodices that moved with a fluid, internal architecture. This season, the house’s signature embroidery was handled with a new, gossamer finesse; hand-worked crystal applications and metallic threads were used to articulate seams rather than obscure them, a testament to the brand’s commitment to in-house craftsmanship. A restrained palette of whites, nude tones, and pale blush allowed the intricate surface work to take center stage, reflecting a sophisticated balance between Georges’ classic proportions and Jad’s contemporary, cleaner lines. It was a collection that didn’t just showcase clothes, but rather the enduring grace of choosing tenderness over indifference.
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Fashion
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Fashion
Art of the Modern Traveller by Ports 1961, Milan Fashion Week
Embark on the next chapter of luxury, joining us at the fall/winter 2026-2027 presentation of Ports 1961 held at Milan Fashion Week! Celebrating a landmark 65th anniversary, Ports 1961 unveiled its newest collection at Milan’s Fondazione Sozzani, transforming the venue into an immersive transit landscape. Under the creative vision of Design Director Francesco Bertolini, the collection honors the house’s founding credo – “breakfast in the Sahara and dinner in New York” – by crafting a complete wardrobe for the woman who navigates shifting climates and roles with instinctive poise. The presentation, graced by the iconic Nadja Auermann, mirrored the rhythmic motion of travel with elongated platforms reminiscent of airport conveyors, setting the stage for a collection defined by clarity, function, and quiet refinement over mere spectacle. The aesthetic journey is anchored in streamlined outerwear and precision-cut tailoring, where sharp, cropped jackets with a marine edge meet fluid, wide-leg trousers and draped dresses. A foundational palette of navy, camel, and ivory is warmed by utilitarian hits of avio, red, and deep russet, while technical blends and fine wools ensure every piece is travel-ready. Poetic details soften the rigorous geometry, such as sculptural knot motifs used as fasteners, linear stick prints inspired by the drawings of Louise Bourgeois, and abstract argyles that echo the work of Sonia Delaunay. From the tactile richness of hammered brooches and degraded pearl embroidery to the lived-in feel of vintage-finished leathers, the collection traces elegance through motion itself, allowing the Ports 1961 woman to move through the world with assertive confidence and a signature sense of ease.
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Fashion
Rebecca Taylor Spring/Summer 2015 Runway Show | New York Fashion Week NYFW | FashionTV
http://www.FashionTV.com/videos NEW YORK CITY – See Rebecca Taylor ’s new collection for Spring/Summer 2015 on the runway at Mercedes-Benz New York Fashion Week.
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FashionTV’s YouTube network features coverage of fashion shows, fashion week, runway highlights, front row celebs, backstage, hair and makeup, models, designers, photo shoots, red carpets at the biggest events in Hollywood, and much more. The total source for worldwide fashion coverage, FashionTV has new uploads EVERY DAY – See it on YouTube first.
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Fashion
Metropolitan Elegance by Luisa Spagnoli for F/W 26-27, Milan Fashion Week
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