Dsquared2 Fall/Winter 2013-14: Male Models Backstage | Milan Men’s Fashion Week
http://www.FashionTV.com/videos MILAN – FashionTV is backstage at the Dsquared2 men’s show during Milan Men’s Fashion Week Fall 2013. It promises to be one for the history books, with a cast of beboppers from the 1940s. “We’re taking you back today, taking you back to the 1940s, revisited. It’s a jazz club in Paris, the guys are sleek, chic, and sexy,” Dean and Dan Caten tell FashionTV. There’s a new construction in tailoring and lots of color. While the women get their makeup on, the men look like they’re having fun!

Appearances: DJ James, Harry Uzoka, Jamel, Brad, David Agbodji, O’Shea Robertson, Renzo Rosso, Vincent Von Harrington, Anna Dello Russo, Derek Blasberg

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Defend your softness with style exploring the fall/winter 2026-2027 show of Dominnico unveiled at Barcelona 080 Fashion Week! To mark its tenth anniversary, Dominnico returned to the 080 Barcelona Fashion runway with “Soft Armor,” the collection that serves as both an aesthetic manifesto and a profound emotional reflection. Founded in 2016 by Domingo Rodríguez Lazaro, the brand has spent a decade defining a bold, futuristic voice that has captured the attention of global icons like Beyonce, Rosalia, and Lady Gaga. This season, the label proposes a new interpretation of strength through sensitivity, proving that fashion can act as a protective second skin where softness is never fragile and structure is never rigid. The collection elevates the concept of “protected vulnerability,” freeing pastels from their traditional innocence and stripping materials like leather and fur of their typical aggressiveness. This balanced tension is brought to life through a sophisticated color palette of pastel pink, washed fuchsia, faded blue, and apple green, punctuated by tech-inspired purple and coconut white. These hues are masterfully applied to double-faced coats, clean-cut leather separates, and textured denim. A standout feature of the show is the reinterpretation of Dominnico’s iconic moto suit, which maintains a monochromatic yet daring aesthetic that remains a benchmark in inclusive, slow-fashion design. Beyond the silhouettes, “Soft Armor” offers a critique of performative identity. In a unique collaboration with Vinted, the brand recontextualizes symbols of consumption to reflect on the invisible armor we often construct to fit into society. By celebrating ten years of creative freedom, Dominnico reclaims softness as the ultimate power, offering a wardrobe that doesn’t just dress the body, but shields the soul.

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Embrace the irony and nostalgia of the fall/winter 2026-2027 show of Moschino presented at Milan Fashion Week! Moschino Creative Director Adrian Appiolaza takes us on a deeply personal yet universal journey titled “Terra.” Drawing from his childhood roots in Argentina, Appiolaza translates the spirit of his homeland through the unmistakable Moschino lens of wit, affection, and “tongue-in-chic” irony. The runway serves as a vibrant map, charting a path from the sophisticated urbanity of Buenos Aires to the rustic charm of the countryside, celebrating a cast of characters that are both local archetypes and global icons. The collection is a masterclass in contradiction, where Franco Moschino’s legacy of exploding cliches meets Appiolaza’s nostalgic curiosity. Child-like exaggerations transform silhouettes: bourgeois ladies, soccer-obsessed teens, and gauchos of the Pampas populate the scene alongside three-dimensional knitted llamas. Landmarks like the Obelisco and the decorative swirls of Fileteado Porteño provide a rich visual backdrop. In a brilliant crossover of icons, the famous cartoon character Mafalda, created by the legendary Quino, makes her debut, standing as a modern counterpart to the brand’s historic love for Olive Oyl. “Terra” pushes boundaries by displacing the familiar. Elaborate ruffles are reimagined in latex, while heritage broderie anglaise tablecloths are draped into high-fashion gowns. Sharp tailoring paying homage to the silhouette of Evita showcases the superlative craft of the Moschino DNA, while trompe l’oeil accessories – including a “bag” of churros and silver photographic frames – capture the brand’s signature sense of displacement. Closing with a joyful tango of ruffles and movement, the collection proves that at Moschino, fashion is a serious sense of humor and a celebration of individual truth.

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Tap Like if you’re obsessed with Cannes glamour!

Watch on FashionTV as the Red Carpet of the 79th Cannes Film Festival lit up on May 13, 2026, for the premiere of A Woman’s Life, bringing together film stars and global fashion icons. Imane Khelif stunned in a sleek Chanel gown, while the film’s team — Gael García Bernal, Adriana Paz, Diego Luna, and Anna Diaz — delivered strong and elegant looks.

Supermodel Sara Sampaio shone in a sculptural gown by Waad Aloqaili, paired with sparkling Chopard jewellery. Demi Moore turned heads in Gucci with Chopard jewellery. Other standout appearances included Theodora in Vivienne Westwood, Ruth Negga in Saint Laurent with Chopard jewels, Aja Naomi King in Miu Miu and Messika, and Charlotte Cardin in Saint Laurent. Formula 1 star Charles Leclerc and Alexandra Leclerc coordinated beautifully with Messika jewellery, while Araya Hargate dazzled in Armani Privé and Boucheron.

Additional highlights came from Lady Victoria Hervey in Madleine Couture carrying a Judith Leiber bag, Alice Abdel Aziz in La’Beso with Damiani jewels, Isabella Menin, Agatha Maksimova, and Christophe Guillarme. The night delivered a perfect mix of cinema, high fashion, and pure star power.

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Explore the architecture of light in the spring/summer 2026 haute couture collection of Stephane Rolland unveiled at Paris Fashion Week and meet the guests backstage of the show, including Maria Lisowska, Zarina Yeva, Lina Loatte, Andra Day, Mara Lafontan, and more! In the rarefied world of Haute Couture, Stephane Rolland stands as a sculptor who happened to choose fabric as his medium. Drawing a “natural” inspiration from the intersection of Pablo Picasso’s Cubist mastery and the avant-garde ballet “Parade”, Rolland channeled the theatrical spirit of the circus through his signature sculptural lens. The collection was a masterclass in geometry, where the designer revisited the “clown” archetype through high-glam, voluminous silhouettes. Rolland emphasized that because of the circus setting, the focus remained entirely on circular shapes, seamlessly blending them with square elements in dramatic balloon pants, jumpsuits, and expansive coats fashioned from rich organza, chiffon, and satin. The palette moved beyond his classic monochrome, introducing “burnt” earthy tones of red, burgundy, and caramel. Notable pieces included an architectural asymmetric long white coat in gazar paired with a jumpsuit shimmering with jonquil diamonds, as well as a statuesque cape-dress in black duchess satin, velvet, and georgette crepe, punctuated by a modern plexiglass cube brooch encrusted with diamonds. The atmosphere reached a fever pitch just before the finale when Natalia Bouglione performed a stunning aerial routine above the mesmerized audience.

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