Step into the enduring charm of Alberta Ferretti’s Spring/Summer 2026 collection, unveiled at Milan Fashion Week, and witness the brand’s bold transition to a more relaxed, functional femininity inspired by nature and expert craftsmanship!

This captivating showcase moved away from traditional evening glamour toward everyday wearability, emphasizing natural textures like raw linen, basketweave silks, and intricate woven raffia accents.

The palette evoked an organic serenity with shades of earthy terracottas, soothing sage greens, neutral oatmeal, and soft sunset tones of faded yellow. Standout designs featured flowing, voluminous silhouettes, including layered shirt dresses, graceful tunics, and wide-leg trousers accented with braided belts, all designed for effortless movement and tactile comfort.

Critics celebrated this evolution for its daytime adaptability, praising the exquisite handcrafted macramé elements and subtle sun-bleached finishes that lent a resort-inspired, ready-to-wear allure.

Ultimately, this collection reimagined Italian luxury as a harmonious blend of accessibility and artisanal finesse, leaving a lasting impact on the fashion world.

source

Ready to crown the ultimate queen of the Croisette?

For the premiere of “De Gaulle”, the iconic steps of the Palais des Festivals transformed into a living runway, showcasing everything from effortless “quiet luxury” to bold, structural avant-garde masterpieces. ioneering the ultimate minimalist chic, Irina Shayk wore a fluid, champagne-toned satin slip dress from The Row, which she punctuated beautifully with a high-wattage diamond necklace from Italian jeweler Leo Pizzo.

Living up to her reputation as the ultimate fashion chameleon, Coco Rocha shut down the carpet in a highly dramatic, dark satin off-the-shoulder ballgown by Rami Kadi, complete with leather opera gloves and theatrical volume. The Emirati star Mahira Abdelaziz brought majestic Middle Eastern glamour to the steps, wearing an intricately embroidered, architectural-column gown by Stephane Rolland, beautifully illuminated by dazzling high-jewelry pieces from Hassanzadeh.

Walking the carpet together as a highly anticipated duo, international actor Kevin Spacey kept it classic while top model Via Lemann absolutely stunned in an opulent, romantic gown by Georges Hobeika, bringing a sophisticated romance to the French Riviera. Exuding effortless elegance, supermodel Bar Refaeli opted for a razor-sharp, custom Armani Privé gown, elevating the look with structural gold and diamond jewelry by Cadar and sleek heels from Alevi Milano.

Making a bold, artistic statement, Cindy Bruna leaned into conceptual luxury wearing a pleated, sculptural creation by Issey Miyake, perfectly accessorized with magnificent, ethically sourced diamonds from Chopard. The power couple Tom Kaulitz and Heidi Klum brought their signature high-octane romance to the Palais, coordinating flawlessly in custom, romantic yet edgy designs by the iconic British house Vivienne Westwood.

Italian pop star Elodie opted for a sleek, clean aesthetic, turning heads with a custom Prada look that relied entirely on an impeccable geometric silhouette and sharp tailoring. Rounding out the evening’s high glamour, Valery Kaufman wore a form-fitting, shimmering gown by Roberto Cavalli, beautifully complemented by the exquisite craftsmanship of Sartoro Geneve high jewelry.

Head over to our full Cannes 2026 Red Carpet Hub on FashionTV right now to see every single look, jewel, and high-fashion arrival from the De Gaulle premiere!

source

Get ready to be blown away by Dior’s Cruise 2027 show, held in Los Angeles, Jonathan Anderson’s spectacular first Cruise outing for the storied French house.

Unveiled within the sweeping concrete curves, fluid expanses of glass, and archly Brutalist architecture, Dior Cruise 2027 unfurled like an immersive, cinematic fever dream that beautifully filtered California past, present, and future through the lens of French high fashion. Staged inside a smoky dreamscape described by the House as “an illusion of LA, in LA,” the presentation hummed with the energy of a living film set, complete with vintage convertibles parked beneath the structure and an evocative musical score.

Anderson rooted the collection deeply in Dior’s historic relationship with Hollywood, tracing his creative spark back to a Haute Couture Spring/Summer 1949 jacket worn by screen legend Marlene Dietrich in Alfred Hitchcock’s “Stage Fright”. Nodding to Dietrich’s legendary ultimatum, “No Dior, no Dietrich!”, the show’s press materials were even cleverly distributed in a classic Hollywood script format, celebrating Christian Dior’s postwar fascination with dreams, Surrealism, and cinematic escapism.

The runway itself offered a light, fresh, and alluring vision rife with surprising silhouettes, rich textures, and lush florals. The opening look – a striking buttercup-yellow dress covered in rosettes – immediately set a romantic tone.

Gowns inspired by Californian icons, particularly the vibrant local poppy, floated down the runway like fields of wildflowers caught in the golden hour. Anderson masterfully bridged the gap between everyday American staples and couture craftsmanship, sending out distressed denim embroidered with delicate silver chains, frayed bouclé wool jackets, embroidered lace evening dresses, patchwork scarves, and oversized shearling coats.

The collection effortlessly captured the multifaceted archetypes of Los Angeles, including a surprise collaboration with the legendary L.A. artist Ed Ruscha that perfectly proved Anderson’s show note philosophy: “The everyday becomes couture.” If this collection were a movie, it would be an instant classic.

Which L.A. archetype was your favorite?

source

Which look was your favorite from the Garance premiere? The red carpet for Jeanne Herry’s film Garance on May 17, 2026, …

source

Witness on FashionTV as the glamour reaches new heights on the Croisette at the Red Carpet premiere of “Fatherland”! Daiane …

source