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Swimwear Models Backstage at Blue Fashion Beachwear Spring/Summer 2013, Milan – Part 2 | FashionTV

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SUBSCRIBE: http://bit.ly/FashionTVSUBhttp://www.FashionTV.com/videos MILAN – FashionTV went behind-the-scenes at the Blue Fashion Beach show for Spring/Summer 2013, to find out just what it takes to get the bikini models ready for the catwalk. Meet the models wandering around in their Isabelle bathing suits and hear what designers Azzurra & Samo Gabrscek of Isabelle have to say about their beachwear collection. Also, Roberta Cordi discusses her hippy-inspired summer range, and actress Ariana Romero discusses her Raffaella D’Angelo look. Meanwhile FashionTV caught up with Tezuk designers to speak about their new collection:

“It’s a fun collection as Tezuk intends to be a fun, easy-to-wear brand. It must be a bathing suit you wear and live in on the beach, not a party or collections bathing suit,” says designer Andrea Zucchini.

APPEARANCES: Maria Martinez, Azzurra & Samo Gabrscek, Federica Nargi, Roberta Cordi, Stefano De Martino, Ariadna Romero, Sofia Bruscoli, Raffaella D’Angelo, Andrea Zucchini, Patrizia Teglia

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Echoes of an Amber Dream by Rowen Rose for F/W 26-27, Milan Men Fashion Week | FashionTV | FTV

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Admire the fall/winter 2026-2027 show of Rowen Rose, unveiled at Milan Fashion Week! The brand transformed an abandoned Milanese church into a haunting desert mirage filled with the scent of amber. The runway featured sand and symbolic footprints to explore the intersection of ancient history and surrealist dreams. Models moved through the ruins wearing garments defined by the brand’s signature strong shoulders and historical allure. Earthy tones of terracotta and moss were punctuated by flashes of crimson and shocking pink to mimic a desert horizon. Drawing inspiration from Dalí and romantic poetry, the designer explored the concept of love as a fleeting hallucination. The show concluded with a poetic sense of longing, leaving the audience in a state of dreamlike elegance. This co-ed presentation successfully balanced the permanence of stone with the delicate nature of high fashion. The Rowen Rose woman and man – the latter a line that continues to evolve with bold, fluid sophistication – appeared like visions on the horizon. The silhouette remained anchored in the House’s signature codes: the unmistakable strong shoulder and historical allure that have made Rose a red-carpet fixture. Yet, this season introduced a raw, organic evolution. Natural, earthy fabrics and nomadic-inspired applications met the brand’s penchant for maximalist graphics. It was a dialogue of textures: mineral pleats where leathers and silks were manipulated to echo the rock formations of ancient cities, and traditional patchwork, tassels, and fringes recontextualized through a sharp 2026 lens.

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The Geometry Of Sound by A-Jane for S/S 26, Paris Fashion Week | FashionTV | FTV

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Explore the spring/summer 2026 show of A-Jane, unveiled at Paris Fashion Week as a part of the Global Fashion Collective (GFC) runway! The collection, titled “Klangkante” (Sound Edge), was inspired by the musical composition “Pression” by Helmut Lachenmann. The collection explored the physicality of sound through sharp tailoring, sculptural layering, and futuristic silhouettes. A-Jane’s presentation utilized a primarily monochrome palette of black, white, and silver. This neutral base was intentionally disrupted by neon-green strikes, representing a “sonic crash” of dissonant energy. The collection also emphasized a commitment to sustainability and innovation. Using natural fibers and zero-waste techniques, the designs focused on longevity and avant-garde artistry. Through this collection, the designer Alice-Jane Chang successfully translated intangible acoustic concepts into emotionally resonant and enduring fashion.

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The Battle of Charm by Julien Fournie for S/S 26, Paris Haute Couture | FashionTV | FTV

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Join us inside the acoustic grandeur of the Salle Gaveau, where Julien Fournie’s spring/summer 2026 Haute Couture …

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Geometry of Grace by Stephane Rolland for S/S 26, Paris Haute Couture | FashionTV | FTV

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Immerse yourself in Stephane Rolland’s Summer 2026 haute couture collection, presented at the historic Cirque d’Hiver during Paris Haute Couture Fashion Week! Drawing inspiration from Pablo Picasso and the ballet Parade, the collection replaces mere novelty with an uncompromising sense of structural authority. The circular venue serves as an intellectual framework, where Rolland translates the building’s Second Empire gravity into garments that frame and govern the body. Silhouettes in gazar and duchesse satin move through the ring with controlled pacing, favoring architectural construction over superficial ornament. Picasso’s influence is felt not through visual cliches, but through a shared understanding of form as a state of tension and balance. Key elements like exaggerated shoulders and sculptural jumpsuits redistribute authority across the figure, making the models appear reinforced rather than simply adorned. Even the inclusion of precious stones is handled with restraint, functioning as points of light that punctuate the prevailing atmosphere of concentration. The recurring motif of the dove offers a final, unsentimental nod to Picasso’s emblem of peace, suggesting that balance must be actively maintained in a volatile world. Ultimately, Rolland demonstrates that couture remains relevant not through reinvention, but through the sheer conviction of its execution.

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Fragile Strength by Inclover for S/S 26, Paris Haute Couture | FashionTV | FTV

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Get ready to be swept away by the spring/summer 2026 collection of Inclover unveiled at Paris Fashion Week! Entitled Gaudi, the collection found its heartbeat in the radical freedom and architectural poetry of Antoni Gaudí, filtered through a lens of deep Spanish emotionality. This was not merely a tribute to Catalan Modernism but a total reinterpretation of its language, where the rigid structures of the Sagrada Família were softened into garments that behaved more like living architecture than conventional couture. The silhouettes felt instinctive rather than manufactured, shaped by the unseen forces of wind, light, and gravity to create a sculptural presence that moved with a liquid ease. By layering chiffon, organza, and delicate lace, the house achieved a prismatic effect that mirrored the stained-glass luminosity of Gaudí’s masterworks. As these fabrics drifted across the body, they filtered light with a soft, cathedral-like glow, punctuated by hand embroidery that served as a rhythmic, tactile heartbeat. In this vision, ornament and structure were inseparable; the intricate textures did not sit atop the fabric but seemed to grow from within it, echoing the organic irregularity of the natural world that Gaudí so famously worshipped. The cultural narrative of the collection was equally rich, weaving together a tapestry of Spanish references that surfaced through movement and line. The palette was a masterful transition of time and place, shifting from virginal ivory and garden greens into the blood-warmth of deep red and a dramatic, saturated black. Accents of marine blue and muted gold captured the precise moment of a Barcelona sunset, while the vivid, joyful hues also paid homage to the chromatic intensity of Frida Kahlo’s paintings.

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