http://youtube/FashionTV MILAN – Anais Pouliot is highlighted in this FashionTV edition of during Milan Fashion Week Spring/Summer 2011. Anai Pouliot walked in shows like Prada, Missoni, Sonia Rykiel, Marni, and Moschino. Anais Pouliot is from Canada and she’s 19 years old. She wasn’t discovered, friends actually told her she should start modeling because she was tall and slim. She started modeling when she signed with an agency in Montreal. She currently doesn’t have a home because she’s too busy traveling.

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Enjoy a decade of East-meets-West visionary tailoring watching the Pronounce spring/summer 2027 anniversary runway collection now on FashionTV!

Staged within the art-filled galleries of the Fondazione Sozzani on June 20, 2026, design duo Yushan Li and Jun Zhou delivered a milestone presentation for Pronounce’s S/S 2027 coed collection. Marking the 10th anniversary of their independent label, the Milan-based Chinese designers infused Milan Fashion Week with a remarkably joyful, lighthearted energy.

The collection served as a brilliant synthesis of their creative heritage, masterfully blending the rigid architectural geometry of the ancient Yingxian Wooden Pagoda with the whimsical, weightless mechanics of traditional Chinese kites. The result was a breathtaking exploration of vertical silhouettes, dynamic motion, and structural lightness. The collection seamlessly bridged historical dress codes with forward-thinking streetwear codes.

Elongated shapes and layered coordinates glided down the runway, honoring the distinct proportions of Ming Dynasty attire and offering a relaxed, ultra-soft reinterpretation of the traditional Zhongshan suit.

The designers toyed effortlessly with contrasting material states: paper-thin sporty staples and ethereal, sheer organza tailoring in gentle pastel colorways were sharply juxtaposed against the structured durability of wrinkle-resistant wools, breathable washed linens, and innovative eco-leathers. Intricate folded construction details and functional oversized pockets subtly echoed the precise craftsmanship of kite design, creating a wardrobe that beautifully balanced practical utility with poetic flight.

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Witness the power of ancestral textile heritage reimagined, watching the full Imane Ayissi Haute Couture collection on FashionTV!

On July 6, 2026, Franco-Cameroonian designer Imane Ayissi captivated Paris Haute Couture Week with the presentation of his latest collection in which African textile heritage meets French savoir-faire. Known as a revolutionary voice breaking rigid Eurocentric couture traditions, Ayissi utilized this season to establish a new, inclusive definition of global luxury – one where ancestral African craftsmanship balances perfectly with architectural precision.

The collection defies stillness, manifesting an emotional connection to nature through garments that effortlessly move between fluid grace and structural geometry. Ayissi’s signature mastery lies in his rejection of conventional luxury synthetic textiles, instead prioritizing absolute sustainability through raw, locally sourced, and intensely handcrafted materials from across the African continent.

This vision comes to life through dramatic fabric gestures and architectural forms that redefine the female silhouette with striking confidence, effortlessly blending into a bold, uncompromising color palette that injects profound depth and energy into the Autumn/Winter season.

Throughout the lineup, masterful integration of complex beadwork and vibrant floriate embroidery patterns ripple elegantly across the moving body. By merging meticulous French haute couture techniques with rare regional artisanal traditions, Imane Ayissi delivers a breathtaking testament to living fashion.

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Delve into the ultimate contrast of gold and burlap and discover what lies beneath the shine watching the mesmerizing performance of Viktor & Rolf’s fall/winter 2026 haute couture collection on FashionTV!

On July 8, 2026, avant-garde design icons Viktor Horsting and Rolf Snoeren shook Paris Haute Couture Week with their groundbreaking collection, “Gilded Age 2.0”. The presentation stepped away from traditional runway formats, transforming the stage into a surreal, bedroom-like dream environment.

Within this intimate setting, models Nathalie Haerlemans and Elpida Voryas Georgiadi moved in hypnotic, mirrored synchrony, repeatedly dressing and undressing in a continuous loop to bring the garments to life. The entire collection of 24 looks was engineered as 12 pairs of exact structural doubles, designed to explore the friction between maximum decadence and absolute restraint.

While the silhouettes in each pair remained entirely identical, their meanings were radically transformed by a sharp contrast in textiles: opulent gold, crystalline embroidery, and metallic organza on one side, countered by raw, utilitarian jute and burlap on the other.

From plunging floor-length ruffled ballgowns to structured short coats featuring sleeves sculpted into massive bows, the material juxtaposition forced the audience to look past the surface.

In a brilliant conceptual finale, the thematic tension was written directly onto the garments themselves: a flared coat sculpted from raw jute bore the word “restraint” across its sleeves in three-dimensional lettering, while its golden twin proudly displayed the word “decadence” in dense crystal embroidery.

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Admire a breathtaking revival of classical form and modern empowerment – watch the Christian Dior Fall/Winter 2026/27 Haute Couture showcase now on FashionTV!

Under the roof of a leafy hothouse constructed in the historic gardens of the Musee Rodin, Jonathan Anderson delivered his highly anticipated sophomore haute couture collection for Christian Dior on July 6, 2026. Stepping firmly into the spotlight following Maria Grazia Chiuri’s historic tenure, Anderson has established a radical new creative direction for the house – one that directly treats the discipline of haute couture as an artistic laboratory.

For the fall/winter 2026/27 season, Anderson staged an ambitious, visceral dialogue between fine art and fashion, taking the pioneering, fluid sculptures of American feminist artist Lynda Benglis as his ultimate creative catalyst. The runway, finished in a sleek, reflective black lacquer, was surrounded by dense green foliage, ferns, and exotic plantings meant to evoke Benglis’s personal gardens in New Mexico and India.

This natural, slightly untamed setting served as the perfect framework for a collection centered around the concept of “material in motion.” The ultimate litmus test for any designer entering the gates of 30 Avenue Montaigne is the reinvention of the iconic 1947 Bar Suit. Anderson’s brilliant solution was essentially to melt it down – stripping away the rigid internal padding and stiff corseting of old, and replacing them with sensuously draped, bias-cut shapes, fluid silk pajama-style sets, and featherweight knitted jackets that gave the female form absolute freedom of movement.

The 66 looks beautifully mirrored Benglis’s famous practice of converting two-dimensional materials into voluptuous, three-dimensional forms. Anderson toyed masterfully with the illusion of rigor and the poetry of fluid drapery. In a direct nod to the artist’s legendary use of chicken wire to mold heavy, poured materials, the Dior ateliers produced voluminous, jaw-dropping skirts constructed from silver metallic netting and crushed-foil-pleated silks that danced under the studio lights like liquid metal.

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