http://www.FTV.com/videos NEW YORK – The things these girls do for fashion! Not sure if the models of Thakoon’s Spring/Summer 2012 collection runway for New York Fashion Week are too happy about getting their hair painted blue, orange, purple or pink, but it’s what the designer wants for his animated Indian cowboy inspired show. Odile Gilbert, runway hairstylist explains the look. “What we’re doing is bringing a lot of colors into the hair, for the collection.” When the girls are done, Odile and her team will make sure to wash all the color out and they will use Kerastase to treat the hair and get all the color out. Models Andie Arthur, Lydia Carron, and Marique Schimmel talk about their looks.

Appearances: Odile Gilbert (Hairstylist), Debora Muller, Andie Arthur, Lydia Carron, Marique Schimmel

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Explore the artistry of emotion in the spring/summer 2026 haute couture collection of Georges Hobeika, showcased at Paris Fashion Week! Georges and Jad Hobeika have arrived in Paris to prove that love is best served with a side of structural genius and a heavy dose of organza. The father-son duo invited us into a world where affection isn’t merely felt; it is engineered. We saw garments that didn’t just clothe the body but seemed to protect and pulse alongside it. Imagine corsetry that rises like a shield of devotion and skirts that ripple with the rhythmic inevitability of a heartbeat. This is love rendered in satin and tulle – a collection that treats the concept of a “vessel of memory” with the architectural reverence it deserves. The Hobeika silhouette this season is a breathtaking dance between the rigid and the ethereal. Gowns curve with the precision of a Nautilus shell before spiraling into unfurling petals, striking that impossible balance between containment and release. There is a tension here that feels profoundly modern; the human form acts as both instrument and canvas, where every stride transforms a dress into a living, breathing statement of intent. The materials themselves tell a story of contrast: the unapologetic weight of stiff satins meets the whisper-thin vulnerability of diaphanous organza. This wasn’t just clothing; it was a sensory exploration of harmony, proving that in the hands of a master, couture doesn’t just dictate a trend—it articulates the soul.

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Witness the evolution of excellence in the spring/summer 2026 haute couture sjow of Georges Hobeika and meet his guests including Deborah Hung, Esha Gupta, Nadine Kaddoura, Marianne Georges, and more! Set beneath the soaring Gothic arches of the American Cathedral in Paris, the Georges Hobeika S/S 2026 couture collection, titled L’Amour, served as a profound meditation on human connection and technical grace. Celebrating over thirty years of artistry, co-creative directors Georges and Jad Hobeika harmonized the house’s Lebanese heritage with Parisian discipline, presenting a collection that felt less like a runway show and more like a spiritual homecoming. The atmosphere was charged with the philosophical essence of love – not merely as a sentiment, but as a transformative force that demands vulnerability and presence. The silhouettes were elongated and precise, favoring sculptural column gowns and meticulously draped bodices that moved with a fluid, internal architecture. This season, the house’s signature embroidery was handled with a new, gossamer finesse; hand-worked crystal applications and metallic threads were used to articulate seams rather than obscure them, a testament to the brand’s commitment to in-house craftsmanship. A restrained palette of whites, nude tones, and pale blush allowed the intricate surface work to take center stage, reflecting a sophisticated balance between Georges’ classic proportions and Jad’s contemporary, cleaner lines. It was a collection that didn’t just showcase clothes, but rather the enduring grace of choosing tenderness over indifference.

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the sweet model Pilar Solchaga shows us her agency Women Managament in New York. She interview booker and scounter e tells us how does it work.

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Embark on the next chapter of luxury, joining us at the fall/winter 2026-2027 presentation of Ports 1961 held at Milan Fashion Week! Celebrating a landmark 65th anniversary, Ports 1961 unveiled its newest collection at Milan’s Fondazione Sozzani, transforming the venue into an immersive transit landscape. Under the creative vision of Design Director Francesco Bertolini, the collection honors the house’s founding credo – “breakfast in the Sahara and dinner in New York” – by crafting a complete wardrobe for the woman who navigates shifting climates and roles with instinctive poise. The presentation, graced by the iconic Nadja Auermann, mirrored the rhythmic motion of travel with elongated platforms reminiscent of airport conveyors, setting the stage for a collection defined by clarity, function, and quiet refinement over mere spectacle. The aesthetic journey is anchored in streamlined outerwear and precision-cut tailoring, where sharp, cropped jackets with a marine edge meet fluid, wide-leg trousers and draped dresses. A foundational palette of navy, camel, and ivory is warmed by utilitarian hits of avio, red, and deep russet, while technical blends and fine wools ensure every piece is travel-ready. Poetic details soften the rigorous geometry, such as sculptural knot motifs used as fasteners, linear stick prints inspired by the drawings of Louise Bourgeois, and abstract argyles that echo the work of Sonia Delaunay. From the tactile richness of hammered brooches and degraded pearl embroidery to the lived-in feel of vintage-finished leathers, the collection traces elegance through motion itself, allowing the Ports 1961 woman to move through the world with assertive confidence and a signature sense of ease.

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